CONNECTING TO THE PRESENT – POINTS OF REFERENCE: ON COLLECTING
Anna Zizlsperger talks to Patrizia Sandretto Re Rebaudengo What made you want to start collecting contemporary art? What...
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ON SETBACKS AND SUCCESS: ACCOUNTS OF CONTEMPORARY COLLECTING IN TURKEY
by Anna Zizlsperger When the first edition of the Istanbul Biennial opened in 1987, then curated by Beral...
ON CONTEMPORARY COLLECTING: INSTITUTIONS WITHOUT OBJECTS
by Miriam La Rosa One of the central pieces of the collection of the Metropolitan Museum of Art,...
MEHMET ALİ BAKANAY, BUSINESSMAN, COLLECTOR
an interview with Mehmet Ali Bakanay How would you describe the culture of art collecting in Turkey and...
MUSTAFA TAVILOGLU, FOUNDER OF MUDO CONCEPT, COLLECTOR
an interview with Mustafa Taviloğlu When did you start collecting and who else was collecting in Turkey at...
LEYLA PEKIN: INTERIOR ARCHITECT, COLLECTOR
an interview with Leyla Pekin How did you come to be a collector of art? What was the...
A JOURNEY THROUGH TIME IN TURKEY’S NEW MEDIA ART SCENE
by Ceylan Önalp [Teleport begins]. Stardate: 94624.59 Captain’s Log: This is an essay on the historical evolution of...
CHEAT SHEET FOR A NON- (OR LESS-) COLONIALIST SPECULATIVE DESIGN
by A Parede Despite its name, speculative and critical design has, for a long time already, greatly disregarded,...
BECOMING HORROR IN THE PLASTICENE
by Daniel Rourke Upon visiting an exhibition of plastic in Paris in the mid 1950s, Roland Barthes wrote...
FORCE QUIT + ESC = [ NEW MEDIA ART ]
Mine Kaplangı talks to Ebru Yetişkin As a sociologist and an independent curator based in Istanbul, how did...