ISTANBUL BIENNIAL REVEALS CURATORIAL VISION FOR ITS 17TH EDITION The 17th Istanbul Biennial, organised by the Istanbul Foundation for Culture and Arts (İKSV) with the support of its sponsor Koç Holding, w...
On emotional symbiosis: Notes from the 5th Design Biennial by Matt Hanson November 2020 The essence of time is organ...
Creations from a Polluted Lagoon: The Pool’s debut show on Heybeliada by Matt Hanson There is a house on a hill, overlooking the urbanized sweep of high-rises across the shoreline along the Sea of Marmara, ...
Ahu Akgün’s ‘A Reason to Visit’: An Artist’s Moving Account of the Covid-19 Pandemic by Selin Tamtekin Interviewing Ahu Akgün, my first question is how she came up with the title for her solo show, which has just opened a...
Neriman Polat’s Breaking the Seal: ‘A Valuable Exhibition of Our Times’ by Selin Tamtekin Neriman Polat can be regarded as a cult figure in Turkey’s contemporary art scene. She has been creating prolifically ...
Co-existing with the Seventh Continent: Artistic and Curatorial Concerns and Strategies in the 16th Istanbul Bienal by Lewis Johnson At the opening press conference of the 16th Istanbul Bienal in the Osman Hamdi Room at Mimar Sinan Fine Arts University...
